Morsal
Hey Gianni, how are you today? Have you listened to any music yet today? If so, what did you put on?
You wrote that your newer music felt like it “belonged somewhere else entirely.” What was missing under Arutani that you found with Morsal?
Was Never Too Late made with Morsal already in mind, or did making these tracks help you discover what Morsal could become?
Why Never Too Late? What does that title mean to you personally?
Looking back at Never Too Late, which track taught you the most while making it, and why?
Who or what inspires you the most?
What drives you to keep making music?
Your music has a lot of depth and texture. How do you create that sense of space in your productions, and is that something you consciously think about while making music?
How do you know when a track is finished?
You recently started learning to DJ with vinyl. Has that changed the way you listen to music as a producer, or the way you approach a DJ set?
You wrote that pursuing perfection can be incredibly harmful. What made you come to that realization?
You described today’s music scene as chaotic. Can you expand on this? Follow-up: Do you think this affects how artists develop their own musical identity?
When do you feel most connected to other people through music?
What made VIAVIA feel like the right home for the first Morsal release?
What’s the next thing you’re most excited about with Morsal, and can you already give us a little hint of what’s coming next?